Mixtape Mondays | Sick of Losing Soulmates

I will keep this post short because this playlist has been in the making for almost 6 months (or a lifetime!) and it is long overdue. This is not your average heartbreak playlist. You won't find here any obvious renditions of an aching heart, there is no room for "I wish you well" songs as Adele's Someone Like You or angry revenge classics such as Alanis' You Oughta Know

I am absolutely in love with these five lads from Nottingham, D.I.D = Dog Is Dead

This mixtape celebrates that kind of love which makes you lose your breath and your sleep but is as ephemeral as it is intense. And, as Seafret's Tell Me It's Real lyrics describe, the kind you can "say it is over just as it begins". Dodie's song I suppose makes the perfect title: Sick of Losing Soulmates.   

The highlight of this playlist are the images painted by some of these lyrics, so instead of going on and on about these tracks, here is a list (because I love lists!) of my favourite 10 extracts. 

Mixtape Mondays | Sick of Losing Soulmates


"There is an off-white little lie I've made about you, that I meant to hurt you"
D.I.D | I Meant To Hurt You

"So don't go, stay with me baby and wear clothes
The waters gone cold but I can't get out
Oh it's not right, when breathing is giving in"
Will Joseph Cook | Water's Gone Cold 

"Destroy the middle, it's a waste of time
From the perfect start to the finish line
And if you're still breathing, you're the lucky ones
'Cause most of us are heaving through corrupted lungs
Setting fire to our insides for fun
Collecting names of the lovers that went wrong"
Daughter | Youth

"Endless talking of life rebuilding
Don't walk away, in silence"
Codeine | Atmosphere 

"I had all and then most of you
Some and now none of you
Take me back to the night we met"
Lord Huron | The Night We Met

"You lined me up across the room
Two falling sparks, one willing fool
And I always knew
That I would love you from afar
You told me 'boy look the other way'
You told me 'boy hide those hands'
Cause I've been living on the crumbs of your love
And I'm starving now"
Vance Joy | From Afar

"So I tried to erase it, but the ink bled right through
Almost drove myself crazy when these words led to you
And all these useless dreams of living alone
Like a dogless bone
So come let me love you
Come let me love you and then colour me in"
Damien Rice | Colour Me In

"So dry those eyes and don’t be afraid
Cause the rhythm of lovers ain't the same
No you don’t know it don’t come easy
Come easy
They say it comes in threes, love, hope and misery
And the first two have gone, tell me if I’m wrong"
Jake Bugg | Love, Hope and Misery

"And distance tells you that
Distance must come between love
Where have you been Luv?
When the mistake we made
Was in never having planned to fall in love, Luv"
Travis | Luv

"Like ghosts we both appear
In this Polaroid I'll treasure through the years
Full of promise and of smiles
We are happily quite ignorant of pain
Oh how life can quickly change
You can't predict the rain
Or second guess the stars"
Mr. Hudson | Ghosts

Mixtape Mondays | Songs About Cities

A post by Charlie Hole,
a.k.a @charliehole

“Oh my God, New York can talk
Somewhere in all that talk is all the answers”
                         - Elbow, New York Morning

I’ve always been fascinated by cities; the way they move and change, the way they rise and fall, live and die, and seem to exist beyond the people who occupy them at any given time. 

I remember walking around London one night just thinking about the secrets it held, the stories it could tell and all the people it must have seen pass through it over the years. It’s impossible to walk through a city like London and not be completely overwhelmed by the sheer history of it. I always wonder about whose footsteps I could be walking in at any given time.

Elbow are not alone, New York itself has inspired so many songs it could have it is own playlist

One of the things that interested me most about cities is the relationship each of us has with them, and how we all interact with it in different ways. When I wrote The City, I imagined London as a person, who could make or break me at will, she could "promise me the world" or "trample on my dreams"... I wanted to show the city as a living and breathing organism, with a personality and defining characteristics, who could make me suffer and struggle or show me success beyond my wildest expectations. She was this omniscient presence looking over everyone. Or at least that’s how it felt sometimes.  

Ray Lamontagne wrote about the dark side of the coin, the way a city can break a man and how it can suffocate you to the point of exhaustion in New York Is Killing Me

"I get so tired of all this concrete / I get so tired of all this noise"

Cities can be relentless places, they don’t ever stop and when your luck is down you can fall through the cracks fast. The overwhelming abyss of buildings and concrete brickwork extending all around can box you in. And you’ve just gotta get out, to come up for air, escape to the countryside and breathe. 

But cities also offer all the opportunity any ambitious person could ever need, as Billy Joel wrote in Vienna.

"But you know that when the truth is told,
That you can get what you want or you just get old...
Vienna waits for you"
It’s all yours to have if you want it, the glory is all there waiting for you somewhere in the city, you’ve just gotta dig it out somehow. Use the city before the city uses you. Too many people go to a city and expect it to all come to them: the fame, the money, the success... They’re waiting for the city, when the truth is the city’s waiting for them, just go and get it.

The other thing I was interested in was how cities stitch stories into the fabric of all of us, creating shared events that bring us all together. In Randy Newman’s Louisiana 1927 he tells the story of the flood which left 700,000 people homeless and laments the reaction of the government, which largely left many poor black communities stranded. The song was later used in a campaign for the people of New Orleans after a similar event in 2005 with Hurricane Katrina. "Louisiana, Louisiana / They're tryin' to wash us away"

Steve Earle wrote about how cities can tell more personal stories in his heartbreaking tribute to his friend and songwriter Townes Van Zandt, who had recently passed away. We associate memories or people with certain cities or places that have left a stain on us in some way and we leave our mark everywhere we go.

"And every place I travel through I find
Some kinda sign, that you've been through"
To understand the real power of this song you’ve got to watch the live version where you can see singer/songwriter Nanci Griffith crying next to Steve as he sang the song.


Above all, cities show us the best and the worst of life, the extremes of humanity and an honest reflection of ourselves. Cities are the only places we live on earth which is completely our own creation, we built them from scratch to provide our every need as human beings. That’s what I love most about cities, they show us where we’ve come from, who we are, and who we can be, all at the same time.


Mixtape Mondays | Randoms vol.3

It is Randoms playlist time again! I suppose I can blame this craving for fresh new music to Spring coming. There was definitely a bigger gap between Volume 1 (February 2016) and Volume 2 (November 2016) than there is now, but I've been lucky enough to come across some great findings and could not wait to share them with you! 

I am not sure how I've never come across them before, but glad I've Embrace's entire discography to discover!

Differently to the two previous collections, none of these came out of gigs. But I can certainly say more than half of it came out of running! You ask how? I've a feeling both my Discover Weekly and Daily Mixes changed considerably since I started using Spotify's Your Running Mix tool - if you're not acquainted with it, the script works suggesting songs by artists or genres you like, but matching your running tempo. For example, ISLAND and Daughter are both bands I listened to when running, although not necessarily the tracks I've chosen to feature here. 

Just over a third of this playlist came from - running - friend's suggestions. Two favourites are most definitely The Decemberists and Bright Eyes, both old school bands, which makes me wonder how on earth I had never come across them before? Talking about earth... Do check out Bright Eyes' song Lua, which in Portuguese means Moon. I haven't added it to this playlist, as it wasn't the song which introduced me to them, but am in love with its lyrics. 


I suppose because of this new found range of classics, others started to pop by my feed and amongst them, Gravity by Embrace. Already one of my favourite songs of all time. It is a strange feeling, but it somehow made me think of being in my teens, good old days of laying in bed listening to radio late at night in the hopes of coming across new music, looking at the sky out of the window and feeling the cool breeze on a summer's night. 

Some other great findings which I want to spend a bit more time exploring before I elaborate on them, but so far seem pretty promising, are:

- New York based The Pains of Being Pure at Heart - I absolutely love this name! - Contender is proper old school indie pop. * Spoiler Alert! Their cover of James' Laid is brilliant, coming soon on Awesome Covers vol. 5 *

- 21-year-old YouTuber sensation Dodie. I had never paid that much attention to her until coming across this original, Sick of Losing Soulmates. She's done some pretty decent covers, but it is the witty lyrics of this song which took me back to Kate Nash's Made of Bricks era. 

- Please do spend 18 minutes of your day listening to Learn to Kiss, the brilliant debut EP by Dancing Years, a Leeds based quintet. I've chosen Neon Lights for this playlist, but I am very much in love with the violin in the melancholic April and can't help but find Valentine has some Radiohead quality to it. Do check them out!

And that's about it for now. Happy random Monday y'all, catch up again very soon! 

Mixtape Mondays | Star Gazing ★☆★

I think I was 12 years old when in one of the rock magazines I used to buy as an avid 80s collector, I came across a quote attributed to Jon Bon Jovi which said "I like stars cause they are free". I've never heard or read anywhere else him saying these words, but they've never left me. 

You see, I was a weird kid - yes, it goes that far back! I liked the usual drawing and colouring kids do, but I could spend my evenings sitting in our backyard with my ancient great-granny, listening to her stories as I drew pages and pages of tiny little dots. I've had many maps of Rio's night sky by the time of my first visit to a planetarium. 

Some songs are simple but know how to strike a chord: When The Stars Go Blue, by Ryan Adams, is definitely one 

I can't really tell how it started but I was always drawn to them, the stars. So yes, this playlist has a special meaning and it was particularly challenging as I did not want to let go of it. I thought appropriate to also include the video below - as well as the original track by Bad Company - as this particular recording marked the time of my life when I first acknowledged this fascination with stars. Funnily enough, it happened just around the corner from me today, in Hammersmith, on January 10th 1990 - my birthday is the 9th! The teenager me could have never dreamt of where I'd be 15 years later... 

I think it is also brilliant to hear Jon Bon Jovi singing these lyrics so far back in the day, as they pretty much became a self-fulfilling prophecy, apart from the fact he is still standing.



This playlist is a mix of classics, personal favourites, some new findings and, to my surprise, a few soundtracks. Also called Shooting Star is the Air Traffic opening track, followed by Radiohead's classic Black Star. Still in the 90s vibe, we've the likes of James - and here is She's A Star once more - and Blur. And as the 2000s creep in, The KillersFoo Fighters, Stereophonics, Ryan Adams and Coldplay make an appearance.

Mixtape Mondays | Star Gazing ★☆★


On the personal favourites I've Tom Odell's Constellations and Palace's Veins. Two new finds which have intrigued me are Stargazer, by London based ISLAND - they're playing their biggest headline gig to date at Heaven on May 3rd, they haven't released an album yet but do check the singles on Spotify, I particularly like Spotless Mind - and Star Star, by Irish folks of The Frames, which somehow I had never come across.

Closing the mixtape we've a series of - some would say cheesy - soundtracks. I've lost track of the amount of films we've Corinne Bailey Rae's Like a Star. Yes, it is dated, but if you can get past it, it's got a nice somewhat jazzy melody, which led me to think of the next song, the impossible-to-get-out-of-your-head La La Land's City of Stars. Thoughts on the film aside, Ryan Gosling and Emma Stone are indeed adorable singing this. And if we're going down that route, I might as well bring Keira Knightley's version of Adam Levine's Lost Stars, from Begin Again. And, ultimately - feel free to go ahead and judge me - I've not only watched, but sobbed throughout The Fault In Our Stars, so here is Ed Sheeran and All of the Stars, just because. Happy listen! ★☆★

Mixtape Mondays | Mellon Collie and the Infinite Sadness

Over the last few weeks I've made two playlists, not for the blog, but for a friend - I know, I am sorry peeps for not sharing, but the songs have all been featured here before, so suppose I am excused?! Anyway, it will all make sense in a few more lines... 

When I am compiling mixtapes for the blog and writing about these I've my journalist cap on. Don't get me wrong, I am a hopeless romantic (I have a t-shirt to prove it!) and I don't pretend to be impartial when sharing my thoughts about the songs & artists I choose to bring to your attention. They tend to be my favourites on a very personal level, be it a song released last week or 30 years ago. And the writing, well the writing will focus on the theme and theme itself: sea, seasons, acoustic, piano, covers... Perhaps the one playlist which I had to contextualise a bit further was About A Girl, but even though, every track had "girl" in the lyrics, so you would have got there either way...

Definitely two of the most melancholic albums I've ever came across, O and 9, by Damien Rice

So here we are. How did this one came into being?

Have you ever made anyone a mixtape? If you're not careful, you can end up with a selection which resembles Will Smith's wardrobe in Fresh Prince of Bell Air. I am far too obsessed with logic for it, so after throwing in pretty much anything I liked into a playlist in no particular order, there I went trying to make sense of it. And then it hit me. There was a pattern in the supposedly themeless bowl. And strangely enough, it said more about myself than the About A Girl playlist had. Instead of me thinking it through, it simply took shape subconsciously.

If you know me or if you've read a few of these posts you're probably aware I've learnt to live with depression and anxiety. I say I learnt to live because I do not take for granted being in a good place today. And because I see these, as well as other mental disorders I've presented symptoms of a while back, as inherently part of my life, but ones I can today keep at bay, on close watch, and hopefully not let them take over ever again.

Mixtape Mondays | Mellon Collie and the Infinite Sadness


So off I went trying to repair the damage. Of course I had to edit the mix. It was interesting knowing these were the first songs I had chosen, but as with life, I knew I did not have to stick to them and I could shape the said mixtape to tell the story I wanted it to. And so I did. But I've also since made this playlist because in my mind it had a story of its own to tell. And here we are. As you can see, it is named after the Smashing Pumpkins song mostly because I thought it illustrates it really well - and also because Spotify has already a playlist named Life Sucks. Just kidding! But it does exist.

So make yourself a cup of tea, turn the lights down, grab a book and enjoy a bit of Travis, Radiohead, The Lumineers, Keane, Tom - as Chaplin alone wasn't enough, I brought Odell and McRae to the mix - Damien Rice (necessary!), Russian Red, Air Traffic and my favourite Brazilian band, Los Hermanos. It's a very old school playlist indeed! I hope you enjoy it, see you in a couple of Mondays!


Mixtape Mondays | Under The Covers

A post by Charlie Hole,
a.k.a @charliehole


I found so much music putting this playlist together. Whilst researching, I slowly realised that pretty much every artist in the world has released a cover song. And also pretty much every artist in the world has released a Dylan cover, which made it hard to whittle down.

Dylan is the perfect artist to cover, in part because he writes such incredible songs, but also because he often doesn’t make the most of his melodies in his recordings and has a habit of swallowing great lyrics. If you compare his original version of Make You Feel My Love to Adele’s, it falls apart. She blows him out of the water, as does Jimi Hendrix in All Along The Watchtower. This isn’t a weakness of Dylan’s - his voice has a striking quality to it in it’s own right - but he often squanders or inverts a great melody, and the same can be said of another of my heroes Leonard Cohen. They write songs that are sometimes, somehow, bigger than themselves, and sometimes it takes the fresh interpretation of another artist to draw the genius out of a song.

Dylan is the perfect artist to cover as he often doesn’t make the most of his melodies

These records often become far better known than the originals and that’s one of the wonderful things about the art of the cover version. Jeff Buckley’s Hallelujah, for instance, is objectively speaking in a different league to Cohen’s disjointed and clunky original, and far more successful. That’s the other interesting thing about songs, they go on a journey of their own, changing over time depending on how different artists have interacted with them.

The journey of how Hallelujah came to be Hallelujah is as interesting as the song itself. Originally, Columbia refused to put out the album Various Positions because it didn’t sound like it had a hit on it. The song went widely under the radar, it was said only Dylan really saw the quality in it.

John Cale covered the song in a Cohen tribute album I’m Your Fan in 1991 after Cohen - who apparently had written over 80 verses for the song - faxed Cale over fifteen pages of lyrics. Cale claims that he "went through and just picked out the cheeky verses” and these went to become part of the most famous version of the song after Jeff Buckley heard Cale’s version. Buckley’s version was the far superior cut of the song, but it still wasn’t a hit until long after he died. Then, 10 years later, a whole new generation were introduced to it through Rufus Wainwright’s take which featured in Shrek. Now it’s used in almost pretty much every TV show and film you can think of, as well as featuring in countless different versions of American Idol and X Factor, as it’s become an inescapable and ubiquitous part of our culture.


I’ve included the K.D. Lang version in this playlist, as well as Buckley’s, for the sheer purity in her voice. I would highly recommend watching Lang sing it at the 2006 Canadian Songwriters Hall of Fame, when Cohen was inducted. The live version carries an unbelievable punch, and there’s a lovely touching moment at the end where Cohen looks visibly shaken and moved by her performance.


I also included Jeff Buckley’s little known B-Side cover of Dylan’s classic Just Like a Woman because you’ll never hear anything more beautiful. He takes his time with it, sliding effortlessly around the fretboard with his enormous gift for dragging the emotion out of melody and words. 

There’s also an honorary mention to Jack Savoretti who found an unreleased Dylan bootleg and pulled out a gem of a song in Nobody ‘Cept You, which he claimed literally saved his life. Amazing to think a song like that would just be lying around in Dylan’s hidden back catalogue. It shows what a stunningly prolific songwriter he really is. Bob Dylan himself knew the benefit to a writer in singing cover songs, he said during his Music Cares speech in 2015 that “Big Bill Broonzy had a song called Key to the Highway… I sang that a lot. If you sing that a lot, you just might write [Highway 61]…”

Joe Cocker was an amazing singer who was never really a writer in his own right - also see Elvis, Frank Sinatra and Tom Jones - so he often relied on great songs to bring out the best in his voice. But he also seems to be able to bring a whole new emotion and pathos to these great songs. Check out, in particular, Cocker’s version of Randy Newman’s Every Time it Rains and his famous screeching cover of The Beatle’s With a Little Help From My Friends, to hear the true range of emotion that man possessed.  

Johnny Cash’s re-imagining of Depeche Mode’s Personal Jesus is a welcome surprise as it’s such an unexpected change of tone from the original. A stripped down bar-room blues version of an 80s synth riff driven classic. It was arranged by producer Rick Rubin, who asked Red Hot Chilli Peppers guitarist John Frusciante to re-work an acoustic version of the song for Cash’s American IV album.  

Kurt Cobain singing Where Did You Sleep Last Night? during their legendary MTV Unplugged performance is one of the most raw and gut-wrenching male vocal performances I’ve ever heard. The desperation in his voice is amplified further when you know that Kurt would commit suicide just 5 months later and it gains an intense extra meaning when you hear the - albeit unsubstantiated - rumours that Courtney Love had been cheating on him with Billy Corgan of the Smashing Pumpkins at the time.

Whilst on the subject of Nirvana, check out the audacious space left in Sinead O’Connor’s All Apologies. Her gorgeous vocals drip off the one palm-muted guitar and just leave you hanging, aching for more. Likewise, Tori Amos’s haunting piano cover of Smells Like Teen Spirt was an interesting find because it’s one of those songs that would usually fall under the "untouchable" category. Incidentally, I’d also put Let It Be into that category, but Bill Withers brings a whole new life to it in his version. Amos is the only person I know of who’s successfully covered Teen Spirit (I didn’t care for Patti Smith’s cluttered banjo version or Paul Anka’s novelty swing take), but even Amos’s attempt doesn’t quite stand up to the timeless original.

However, I don’t think cover songs, or any kind of art in general, should be seen as a competition. These aren’t artists trying to outdo each other, they’re paying homage to each other and the writing. Every one of these songs is a tribute in some way, they’re trading off each other’s art, and to me this is what the cover is all about. They allow us to delve deeper into a song, to experience it from a fresh perspective, to breathe new life into it. And they offer us a way to enjoy our favourite songs again and again, reimagined through our favourite artists.

*I’m always interested in finding new music so if you know of any covers you think should be on this playlist then tweet me or comment below.

Mixtape Mondays | Guilty Pleasures

I don't know from where to start. I want to apologise profusely but I have 15 minutes and 36 songs to talk about, so just trust me when I say. I am sorry I've been away for this long. Guilty doesn't even scratch the surface. I should plan my time better, but you deserve to know if I am not writing more or going to as many gigs as this time last year, well, it is for a good cause. I am running a marathon for mental health charity Mind in exact 11 weeks and the training is taking most of my time. 

Now with the music. Yes I've been feeling guilty, so I thought the theme more than appropriate. I tried making sense of the tracks to order them in some sensible way, but it is impossible when you have in one playlist Pink, Lilly Allen, Kate Nash but also Demi Lovato, Miley Cyrus and Nicki Minaj. No, I didn't lose my mind or went tone-deaf. Everyone has a selection they play as loud as neighbours will allow, on a Saturday morning whilst doing the laundry, right?

I can't help but having a soft spot for Little Mix, they remind me of my teenagehood listening to Spice Girls

Very few things are more empowering than singing from the top of your lungs with Kelly Clarkson "what doesn't kill you makes you stronger" and of them is Natasha Bedingfield's wise words: "No one else can feel it for you. Only you can let it in. No one else, no one else. Can speak the words on your lips".

But this mixtape has room for a lot more: Justin (of course) Timberlake is a must. I blame Friends with Benefits being on TV recently. Jason Derulo and Shawn Mendes (I've no excuse for these, I just like to dance to the two tracks) and the 14 year old who lives in me can't help but love Little Mix.

Mixtape Mondays | Guilty Pleasures


I better stop here before you decide to never come back. Just a couple of fun facts though. This is one of PMM playlists with the most number of female artists, which I am fairly proud about. Curiously, it is also the selection with most "explicit" tags. I guess we say it as it is. #girlpower. Have a lovely week and catch up with you soon!

Mixtape Mondays | 2016 Wrapped Up

This is the last post of 2016. The first full on year of this blog, so I better make it count. When Spotify dropped me that link with the title Your 2016 in music I was awfully skeptical. 

Although I am to some degree a weird cross between Monica from Friends and Hermione Granger - so annoyingly organised and irritatingly methodical (I am also terrible at "selling myself", as you can read) - when it comes to my relationship with music and how eager I am to listen to new stuff, I am, for lack of a better word, a whore. With standards, but a whore.

Top 3 artists in this year's playlist, 3 snaps from the blog: Dan Owen, Seafret and Will Joseph Cook

I will often throw myself into a very intense one day relationship with a song, which there and then will mean the world to me, and I will listen to it on repeat until I am over it, done, ready to move on onto the next one. So, in my head, this playlist would be absolutely all over the place. The songs would have no sort of connection, thus no appeal to me - or anyone, matter of fact.

Very surprised I was indeed that despite having listened to 1361 artists and 3236 unique tracks in one year, topping the list there was Sinking Ship, by Seafret - a song which pretty much sums up how I felt throughout the year.

Mixtape Mondays | 2016 Wrapped Up


Similarly, the other tracks which followed - instead of a schizophrenic catalogue of 300 and something tunes I had a one night stand with and played it on repeat, until I fell asleep - would them as well also portray not only emotions and estates of mind, but tell the story of what this year has been to me, narrate the ups and downs, bring up memories of gigs, chats, heartbreaks, challenges, achievements, adventures and moments of joy and laughter.

The artists are mostly well known to you because I think, without exception, they've all featured here at least once: Will Joseph Cook, Dan Owen, Vance Joy, Nothing But Thieves, Catfish And The Bottlemen, Flyte, Palace, Isaac Gracie, Kaleo, Damien Rice, Tom Odell, Russian Red, Kate Nash, The Fratellis, Arctic Monkeys, James Bay, Mumford & Sons, Travis, Radiohead to name but a few...

I thought of editing this playlist and taking the odd Brazilian song out or wiping a bad memory which I did not need reminding, but then I thought again against it. So you have the uncut, 101 tracks, 6 hours 19 minutes long version of what my - and PMM's - year has been like. Here is to an even crazier, random but oh so very well filled with music 2017 to all of us! Happy New Year!

Mixtape Mondays | Sad Santa

A post by Charlie Hole,
a.k.a @charliehole

Christmas time can often get too jolly.

The shameless joy on a child’s face as they unwrap their presents, the unconstrained merriment of long-distance loved ones as they’re reunited after time apart, and the unforgivable levels of good-will aimed at unsuspecting strangers. It’s all a bit much, isn’t it?

If you’re finding yourself accidentally over-joyed this Christmas, pour yourself a vat of mulled wine, curl up around the fire and indulge in these festive heartbreakers to get your emotions back on an even keel.

What draws you in more in Christmas Card From a Hooker in Minneapolis, Tom Waits' piano or voice?

First down the chimney of despair, we’ve got The Pogues & Kirsty MacColl’s Fairytale of New York. By far the greatest Christmas song ever written and I’ll bare knuckle fight anyone who tries to tell me differently. If Christmas means anything to anyone, it means that Shane MacGowan is in a Dublin pub, toothless and shit-faced, drinking dry his royalties. And frankly, good luck to the bloke.

I heard that a publisher once offered The Pogues’ manager £60K for their back catalog. He said “You can have it for thirty”. The publisher was taken aback…

- But I just offered you double that?!
- I can’t give Shane MacGowan £60k, he’ll die... The man once left twelve-hundred quid in the back of a cab.

Now that’s probably not true. But who cares.

Some people complain he can’t sing, but these are people who’ve watched too much X Factor. People who judge "singing" on hitting all the notes in a scale or sounding like Mariah Carey. Singing is about so much more than that. It’s all about carrying an emotion, conveying real feelings and communicating truth. When Shane MacGowan sings “I love you baby”, it doesn’t sound cheesy in the slightest, you feel it in your actual gut, you believe him, and that’s what matters.

Ever heard Ronan Keating try to sing this song? It’s note perfect. And shit.

"You scumbag
You maggot
You cheap lousy faggot
Happy Christmas your arse
I pray God
It's our last"

Lovely stuff…

Next up from under the tree of misery is the Tom Waits’ classic, Christmas Card From a Hooker in Minneapolis.

Christmas Card.
From A Hooker.
In Minn-e-a-polis.

Show me a better song title and I’ll show you a liar.

But it gets better than the title, the song is a masterpiece. A letter from a prostitute about her pregnancy and her new boyfriend who "takes me out dancin’ every Saturday night". It’s the sweetest Christmas song about an escort you’ll ever hear. Fact.

At the end of the song there’s a twist and you find out none of the story is true, she’s just in prison and needs to borrow money to pay her lawyer. No-one writes in a more absurd way than Tom Waits and I just love this line right here about grease in hair.

"Hey Charley I think about you
Every time I pass a fillin' station
On account of all the grease
You used to wear in your hair"

The last song I want to show you from the stocking of suffering is River, by Joni Mitchell. Now, if this song doesn’t make you weep then you’re not allowed out in public. Go straight to jail and do not pass go.

Mixtape Mondays | Sad Santa


When she sings "It’s coming on Christmas, they’re cutting down trees", you realise what an intelligent songwriter Joni Mitchell is. She’s taken something usually associated with joy and happiness and turned it into a negative emotion. When she talks about the tree being cut down - rather than the tree being put up in people’s homes like a traditional Christmas song would - you see the whole thing from a different perspective. She turns convention on its head and draws you in to her world of heartbreak and loss.

"I'm so hard to handle
I'm selfish and I'm sad
Now I've gone and lost the best baby
That I ever had
I wish I had a river I could skate away on"

She’s self-deprecating, you sympathise with her, mourn with her. But it’s not just about the lyrics here. Her trembling falsetto will bring even the most fervent merrymakers to their knees. The power of music is incredible and Joni makes you feel it right where it hurts.

Anyway, enjoy the rest of the playlist, but not too much eh…

Merry Christmas x

P.S. If anyone has any suggestions for the playlist then stick a comment below or tweet me @charliehole and I’ll check it out!


Mixtape Mondays | About a girl

I don't think I've had a playlist in the making for any longer than this one. It was on the verge of entering its 12th month, so I thought I might as well celebrate PMM 1 year anniversary by finally putting it together. Yay!

It is an incredibly personal playlist. Before you ask, yes, it started with a couple of songs which seemed at the time like an introduction to a future biography, but as time went by, it watered down slightly. Some favourites are surely Oasis' She's Electric, Ash's Girl From Mars, Arctic Monkeys' She's Thunderstorms, James' She's a Star and from the same title film, God Help The Girl.

Olly Alexander (from Years & Years), Emily Browning and Hannah Murray in God Help the Girl, directed by Belle and Sebastian's Stuart Murdoch

I could possibly go on and on forever about these songs, lyrics and what they mean to me, but I don't intend to bore anyone to death, so I'd rather you listen to it and make your own mind. But before I leave you, I thought it wouldn't do any harm to indulge myself a little (if there is a post when I can do it, it surely is on the blog's anniversary, right?) and share some of my favourite bits from these witty, sometimes cheeky and fun lyrics. Have a great week folks and happy listening!

Mixtape Mondays | About a girl


"I love my room,
I'm getting used to sleeping
Some nights I really like
To lie awake"
God Help The Girl 

"All I need's a soul to squeeze Eloise, 
Not a worrisome and weary 
way of weakening the knees"
Please Eloise

"She came and substituted
The peace and quiet
For acrobatic blood
Flow concertina cheating heart beat, rapid fire"
She's Thunderstorms

She's been in disguise forever
She's tried to disguise her stellar views
Much brighter than all this static
Now she's coming through
She's a Star

So now you pour your heart out
You're telling me you're far out
You're all about to lie down for your cause
She Moves In Her Own Way

And so if you're crazy, I don't care you amaze me
But you're a stupid girl, oh me, oh my, you talk
I die, you smile, you laugh, I cry
Whistle For The Choir

Going through the motions of
Strange ways here we come and teenage love
Can see there's something inside
Her voice is telling her to stay behind
She Said

Mixtape Mondays | Randoms vol.2

I will keep this short and sweet. As with Randoms vol.1 published back in February, this is a mixtape that is held together simply by the fact these are artists I didn't know much about, but came across either via Discover Weekly, Sofar Sounds, supporting gigs or friends suggestions. Since then, I decided to "save them" so I could listen to more songs later on... And here we are, eight months later.

As with Seafret, Haunt The Woods is a name which really encapsulate the sounds of these guys 

I had the pleasure to see the first three artists in this playlist live and I was mesmerised by their music. After Sofar Sounds London with Cornwall lads from Haunt The Woods a few weeks ago, I could not stop singing to the lyrics of Beautiful Catastrophe. Do keep an eye out for future London gigs. Same can be said of Irish singer-songwriter Eve Belle, who supported Dan Owen back in September at St. Pancras Old Church. She's got some beautifully sad songs, but I won't forget her version of Dire Straits' Romeo and Juliet, she's made it her own and it was breathtaking.

Mixtape Mondays | Randoms vol.2


Last week I was surprised to know Matt Maltese was supporting Tom Chaplin at the Islington Assembly Hall gig of The Wave tour. I only then remembered I had come across Even If It's a Lie before. And if I liked the song listening to it on Spotify, I absolutely fell in love with it after hearing Matt's vocals and piano live. If you're free on the coming 14th you should check him out at the Servant Jazz Quarters (one of our favourite little London venues!).

That's it folks, have a lovely weekend and I will see you next Monday with another mixtape!


Mixtape Mondays | Monster Tracks Revisited

This is probably the quickest playlist ever put together, but have you been in a situation when thought after thought, one thing leads to another and suddenly you cannot ignore it? So let's see if you can follow me on this one or if at the end you will be most definitely certain I am out of my mind.

Who never danced and banged their head to The Cranberries' Zombie? Please tell me I am not alone...

Today is Halloween and I just came back from a Tom Chaplin gig. Yup, that guy from Keane. Keane, a band which's been on a break for 3 or so years, but that only a couple of months ago released a song for the film A Monster Calls... Can you see where I am getting with it?

Mixtape Mondays | Monster Tracks Revisited


I wasn't planning on a Halloween playlist, but then I remembered the first ever collaborative mixtape I've attempted. And so it happens it was called Monster Tracks and I had the help - to be honest, he pretty much took over after my first two songs - of one of my best friends, who at the end of this week moves to New Zealand.

Well, there you have it. This is not exactly the same playlist we made a couple of years ago, but I did revisit it for inspiration. Without further ado, a bunch of pretty awesomely spooky tracks from the likes of Royal Blood, Radiohead, Nothing But Thieves, The Smashing Pumpkins, The Cure, Queens Of The Stone Age and of course, a handful of classics - from The Cranberries' Zombie to Michael Jackson's Thriller - if you're in the mood to extend the Halloween spirit for another week.